Skip to main content

Category: 2024

Announcement of the official programme of the performances

5 productions compose this year’s programme of the International Festival of Ancient Greek Drama, co-organised by the Cultural Services of the Ministry of Education, Culture, Sport and Youth, the Cyprus Centre of the International Theatre Institute and the Deputy Ministry of Tourism.

25 years after the first Festival in 1997, the International Festival of Ancient Greek Drama is raising the curtain this year on July 6, in order to offer the theatre-loving public a month full of powerful and emotional moments.

This year’s 25th anniversary edition of the Festival, which will take place from July 6 to August 6 2022, includes five productions of the highest artistic standards with a contemporary aesthetic and artistic approach on ancient Greek drama, staged by important theatre organisations. The productions will be presented at the Paphos Ancient Odeon, the Makarios III Amphitheatre in Nicosia and the Curium Ancient Theatre.

Once again, this year, the organisers’ aim is to continue the upward and successful course of the International Festival of Ancient Greek Drama, in order to ensure the artistic quality of the productions and to attract as many Cypriots and foreign visitors to the performances, in order to upgrade and cultivate theatrical education, and to ensure the Festival’s contribution to cultural tourism in Cyprus.

A total of 42 proposals for participation in this year’s Festival were submitted by theatre organisations and artists from 20 countries.

The seven-member Selection Committee, which examined and very carefully evaluated the proposals that were submitted and met the criteria for participation in the Festival, formulated an extremely open and diverse programme of productions.

 

The five productions of this year’s festival

The festival will open with Oedipus the King by Sophocles, from Bosnia Herzegovina, in a joint production between the National Theatre of Sarajevo and the International MESS Theatre Festival. Oedipus, the cursed king of Thebes, son and murderer of Laius, son of Jocasta and father of her children, in an effort to unravel the thread of events, finds himself at the centre of the labyrinth, with himself as the target. Through his directorial approach, distinguished Slovenian director, Diego de Brea, underlines the coldness, suffering, barbarity and evil that emanate from people as if from Pandora’s Box. This tragedy by Sophocles will be presented at Paphos Ancient Odeon on July 6 and at Makarios III Amphitheatre on July 8.

The Poreia Theatre is participating in this year’s Festival with Aeschylus’s masterpiece, Prometheus Bound, translated by Giorgos Blanas and directed by Aris Biniaris, with a distinguished cast: Yannis Stankoglou in the leading role, Konstantinos Georgalis, David Malteze, Alekos Syssovitis, Nancy Boukli and Ioannis Papazisis. Director Aris Biniaris, has drawn inspiration from the rhythmical qualities of the text, and continues his study on ancient tragedies with the actors transforming the sounds and rhythms of the poetic text into theatrical action using their bodies and voices. Against the backdrop of a pulsating, live soundscape, the performers bring to life the characters of an age-old but always relevant story in which Prometheus becomes a timeless symbol of resistance. This devastating tragedy by Aeschylus which was performed with enormous success at the Epidaurus Festival in 2021 and was loved by both critics and public, will be presented at Curium Ancient Theatre on July 22 and 23.

The National Theatre of Northern Greece (NTNG) is returning to the Festival after a three-year absence, with Euripides’ Helen, translated by Pantelis Boukalas and directed by Vasilis Papavassiliou, with a numerous cast of actors and musicians on stage. Euripides drew inspiration from the version of the myth created by the lyric poet Stesichorus and not from Homer. He depicts the Trojan War as a massacre carried out for the sake of a ‘simulacrum’ and not a real woman. Through an imaginative directorial approach, the NTNG production highlights the comic elements of Euripides’ Helen, creating a celebratory atmosphere, an anti-war clash on stage. Helen will be presented at Curium Ancient Theatre on July 29 and 30.

The National Theatre of Greece is presenting the emblematic Ajax by Sophocles, directed by Argyris Xafis with a cast of major leading actors and artists. The main roles are portrayed by Stathis Stamoulakatos, Dimitris Imellos, Despina Kourti, Tassos Mikelis, Giannis Dalianis, Evi Saoulidou, Christos Stylianou and Nikos Hatzopoulos. Ajax, a warrior equal to Achilles, becomes a deadly enemy to the leaders of the army and a toy in the hands of the gods, and proves unable to follow the spirit of the newly emerging age. In Ajax, Sophocles records a seminal moment in human history: the moment in which a new world is born and the old collapses, with the old heroes and their ideals crashing with it headlong into the abyss. Ajax which will be performed at Curium Ancient Theatre on August 5 and 6, will through a curtain in the programme of this year’s Festival.

PERFORMANCES’ PROGRAMME

 


 

Programme Presentation

Four productions will be presented in this year’s “International Festival of Ancient Greek Drama”, co-organised by the Deputy Ministry of Culture, the Cyprus Centre of the International Theatre Institute and the Deputy Ministry of Tourism.

The 27th edition of the “International Festival of Ancient Greek Drama” will take place from July 19 to August 10, 2024, at the Ancient Odeon in Paphos, the Makarios III Amphitheatre in Nicosia and the Curium Ancient Theatre in Limassol, hosting performances with contemporary aesthetics and artistic approach in ancient Greek drama.

The productions of the Festival

Romania’s Tony Bulandra Theatre presents the Euripidean tragedy, Orestes, directed by Yiannis Paraskevopoulos, a production focused on the core element of suspension, where the heroes are constantly caught between two circumstances, two situations, and two decisions. The Romanian production marks the opening of the Festival and will be presented at the Paphos Ancient Odeon on July 19 and at the Makarios III Amphitheatre on July 21.

The next production is Plutus by Aristophanes, presented by the National Theatre of Northern Greece (NTNG). Directed by Giannis Kakleas and featuring an excellent cast of actors and theatre professionals, the NTNG’s production of Plutus presents in an imaginative way the comic poet’s satire on the human dream for wealth. Plutus will be presented at the Curium Ancient Theatre, for two performances, on July 26 and 27.

The internationally acclaimed Greek director and teacher, Theodoros Terzopoulos, collaborates for the first time with the National Theatre of Greece and directs Aeschylus’ Oresteia, the only surviving trilogy of ancient drama, in a single performance and with an excellent cast of 32 actors on stage. Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another exquisite directorial proposal, an unrepeatable cultural event, an emblematic performance of intellectual and philosophical depth, which comes to expand the boundaries of art. The production of the National Theatre of Greece, Oresteia, will be presented for two performances, at the Curium Ancient Theatre on August 2 and 3.

This year’s Festival -for the first time- hosts also the second summer production of the National Theatre of Greece, The Bacchae by Euripides, directed by Thanos Papakonstantinou. With an exceptional cast of actors and participants, an interesting troupe of 20 actors and three musicians on stage, the director delves into the mystical and ecstatic universe of Euripides’ play and presents yet another interesting approach to this Euripidean tragedy. The production of the National Theatre of Greece will be presented for two performances, at the Curium Ancient Theatre on August 9 and 10.

Ticket sales are now on:
SOLDOUT TICKETS
STEPHANIS stores
TIME OUT KIOSK Paphos

 Ticket prices:
€12 regular
€8 concessions (for students, senior citizens, National Guard, large families, unemployed)
€35 festival pass (per person for attending all four performances)

Info: 7000 2414 │ www.greekdramafest.com

Performances start at 21:00 | Please arrive at the theatre before 20:15


FESTIVAL’S PROGRAMME

TONY BULANDRA THEATRE, Romania
ORESTES by Euripides
▪ Friday, July 19 │ Paphos Ancient Odeon
▪ Sunday, July 21 │ Makarios III Amphitheatre
With Greek and English surtitles

NATIONAL THEATRE OF NORTHERN GREECE
PLUTUS by Aristophanes
▪ Friday, July 26 │ Curium Ancient Theatre
▪ Saturday, July 27 │ Curium Ancient Theatre
With Greek and English surtitles

NATIONAL THEATRE OF GREECE
ORESTEIA by Aeschylus
▪ Friday, August 2 │ Curium Ancient Theatre
▪ Saturday, August 3 │ Curium Ancient Theatre
With Greek and English surtitles

NATIONAL THEATRE OF GREECE
THE BACCHAE by Euripides
▪ Friday, August 9 │ Curium Ancient Theatre
▪ Saturday, August 10 │ Curium Ancient Theatre
With Greek and English surtitles


The organisers’ goal is to continue the ascending and successful course of the “International Festival of Ancient Greek Drama”, striving to enhance and cultivate theatre education, to ensure the access of Cypriot audiences and foreign visitors to the performances, as well as to contribute to the cultural tourism in Cyprus.

A total of 35 proposals were submitted for participation this year, by theatre organisations and artists from 17 countries. After examining and evaluating the proposals, the seven-member Selection Committee resulted in formulating a diverse programme of productions, with special emphasis on quality.

Selection Committee
The Selection Committee for the Festival 2024, consisted of one representative of the Deputy Ministry of Culture: Georgia Hoplarou, Cultural Officer A’ in the Department of Contemporary Culture/Chair of the Committee; two representatives of the Cyprus Centre of the International Theatre Institute (CCOITI): Emilios Charalambides, Academic, Director, Secretary of the Board of Directors of the CCOITI and Stavros Stavrou, Cultural Manager, Lyrics-writer, Philologist, Member of the Board of Directors of the CCOITI; one representative of the Deputy Ministry of Tourism: Maria Socratous, Tourism Officer A’, and of three members according to merit, appointed by the Deputy Minister of Culture: Elena Katsouri, Set designer, Antonis K. Petrides, Associate Professor of the B.A. Programme “Studies in Hellenic Culture” at the Open University of Cyprus and Antonis Tsakmakis, Associate Professor of Greek of the Department of Classics and Philosophy at the University of Cyprus.


Performances 2024

ORESTES by Euripides

TONY BULANDRA THEATRE, ROMANIA

Directed by Yiannis Paraskevopoulos

  • Friday, July 19 │ Paphos Ancient Odeon
  • Sunday, July 21 │ Makarios III Amphitheatre
WITH GREEK AND ENGLISH SURTITLES

Performances start at 21:00
Please arrive at the theatre before 20:15

Read more

PLUTUS by Aristophanes

NATIONAL THEATRE OF NORTHERN GREECE

Directed by Giannis Kakleas

  • Friday, July 26 │ Curium Ancient Theatre
  • Saturday, July 27 │ Curium Ancient Theatre
WITH GREEK AND ENGLISH SURTITLES

Performances start at 21:00
Please arrive at the theatre before 20:00

Read more

ORESTEIA by Aeschylus

NATIONAL THEATRE OF GREECE

Directed by Theodoros Terzopoulos

  • Friday, August 2 │ Curium Ancient Theatre
  • Saturday, August 3 │ Curium Ancient Theatre
WITH GREEK AND ENGLISH SURTITLES

Performances start at 21:00
Please arrive at the theatre before 20:00

Read more

THE BACCHAE by Euripides

NATIONAL THEATRE OF GREECE

Directed by Thanos Papakonstantinou

  • Friday, August 9 │ Curium Ancient Theatre
  • Saturday, August 10 │ Curium Ancient Theatre
WITH GREEK AND ENGLISH SURTITLES

Performances start at 21:00
Please arrive at the theatre before 20:00

Read more

Continue reading

THE BACCHAE by Euripides

THE BACCHAE by Euripides

NATIONAL THEATRE OF GREECE

  • Friday, August 9

    Curium Ancient Theatre

  • Saturday, August 10

    Curium Ancient Theatre

Performances start at

Please arrive at the theatre before 20:00

21:00

BOOK YOUR TICKETS

Thanos Papakonstantinou directs the second summer production of the National Theatre of Greece, Euripides’ The Bacchae, with a remarkable cast of artists.

When the god Dionysus arrives in Thebes, King Pentheus refuses to acknowledge that his first cousin is a god and bans the new religion. His defiance arouses the wrath of the god, who, in a tragic reversal of persecutor and persecuted, leads Pentheus to destruction at the hands of his own mother.

This Euripidean tragedy is marked by strict consistency of form and enormous inner strength, while simultaneously revealing the poet’s keen interest in mysticism and ecstasy. The tragedy’s central dramatic themes are the potentialities of the soul, human virtue, self-consciousness, prudence and delusion, the rational and the irrational, all of which emerge from the antithesis between man and God, the same antithesis from which the drama’s tragic conflict arises.

“Euripides writes the Bacchae at the end of the 5th century BC and his lifetime. There, he brings back to the stage the god Dionysus, the founder of the genre. The god of theatre, otherness, dismemberment and fusion, bliss and destruction, sets up a play that Euripides intended to end with a dismembered body that no one collects”.

  • WITH ENGLISH AND GREEK SURTITLES
  • SUITABLE FOR AGES 16+
  • Duration: 120 minutes
CREATIVE TEAM

Translation:
Giorgos Heimonas
Director:
Thanos Papakonstantinou
Adaptation:
Ioanna Remediaki
Set/Costume designer:
Niki Psychogiou
Original score:
Dimitris Skyllas
Choreographer:
Nadi Gogoulou
Lighting designer:
Christina Thanasoula
Vocal coach:
Melina Paionidou,
Dimitris Skyllas
Dramaturg:
Erie Kyrgia
Assistant to the director:
Fanis Sakellariou
2nd Assistant to the Director:
Pantelis Bakatselos
Assistant to the set designer:
Giannis Setzas
2nd Assistant to the set designer:
Zoe Kelesi
Assistant to the costume designer:
Penelope Hansen
Assistant to the lighting designer:
Ifigeneia Gianniou
Hair designer:
Konstantinos Koliousis
Make-up designer:
Olga Faleichyk
Prop designer of Pentheus’ head:
Roger Fischer

CAST

Dionysus: Konstantinos Avarikiotis
Tiresias: Marianna Dimitriou
Agave: Alexia Kaltsiki
Cadmus: Themis Panou
Pentheus: Argyris Pandazaras
Messengers: Giannis Koravos, Dionysis Pifeas, Fotis Stratigos

CHORUS

Margarita Alexiadi,
Eirini Boudali,
Chrissianna Karameri,
Eleni Koutsioumpa,
Maria Konstanta,
Kleopatra Markou,
Eleni Moleski,
Georgina Paleothodorou,
Iokasti-Agave Papanikolaou,
Thaleia Stamatelou,
Danae Tikou,
Stellina Vogiatzi

MUSICIANS ON STAGE

Thodoris Vazakas,
Maria Deli,
Alexandros Ioannou,
Yiannis Kaikis

Photos by © Elina Giounanli

 

  • BACCHAE_Ethniko Theatro_2025 (9)

  • BACCHAE_Ethniko Theatro_2025 (8)

  • BACCHAE_Ethniko Theatro_2025 (7)

  • BACCHAE_Ethniko Theatro_2025 (6)

  • BACCHAE_Ethniko Theatro_2025 (5)

  • BACCHAE_Ethniko Theatro_2025 (4)

  • BACCHAE_Ethniko Theatro_2025 (3)

  • BACCHAE_Ethniko Theatro_2025 (27)

  • BACCHAE_Ethniko Theatro_2025 (26)

  • BACCHAE_Ethniko Theatro_2025 (25)

  • BACCHAE_Ethniko Theatro_2025 (24)

  • BACCHAE_Ethniko Theatro_2025 (23)

  • BACCHAE_Ethniko Theatro_2025 (22)

  • BACCHAE_Ethniko Theatro_2025 (21)

  • BACCHAE_Ethniko Theatro_2025 (20)

  • BACCHAE_Ethniko Theatro_2025 (2)

  • BACCHAE_Ethniko Theatro_2025 (19)

  • BACCHAE_Ethniko Theatro_2025 (18)

  • BACCHAE_Ethniko Theatro_2025 (17)

  • BACCHAE_Ethniko Theatro_2025 (16)

  • BACCHAE_Ethniko Theatro_2025 (15)

  • BACCHAE_Ethniko Theatro_2025 (14)

  • BACCHAE_Ethniko Theatro_2025 (13)

  • BACCHAE_Ethniko Theatro_2025 (12)

  • BACCHAE_Ethniko Theatro_2025 (11)

  • BACCHAE_Ethniko Theatro_2025 (10)

  • BACCHAE_Ethniko Theatro_2025 (1)

  • DIRECTOR’S NOTE

    Euripides wrote The Bacchae towards the end of his life, in the late 5th century BC. There he brings back to the stage the god Dionysus, the founder of the genre. The god of theatre, otherness, dismemberment and fusion, bliss and destruction, sets up a play that Euripides intended to end with a dismembered body that no one collects.

    If what is torn apart on stage is openness to otherness, does it mean that our prospect of opening up to the Other, our own and the world’s –through some kind of initiation, a collective act–, has been lost? Will our pieces never be connected again? Are we doomed, like Pentheus, to live hemmed in within our well-fortified individuality, for otherwise we shall be dismembered? Are there no longer any bridges that connect us with one another, with the Other, with the otherness of our feelings, our ideas, our innermost thoughts, with the absurdity within us, with the absurdity of the world?

    Only in our skin there is safety. Whatever is either completely outside us, or completely inside us, will forever remain alien, inviolable, unspoken, unknown, and will therefore be met with violence. Is violence the only language we can understand? A violence that is shut, impenetrable and absolute, a violence, which cannot be susceptible to any kind of initiation that would unlock it, understand it, endure it.

    The barrage of Internet images, natural disasters, bombings, mutilated bodies, and dead children in the media, soulless and dead selfies, uncontrolled streams of data, people, products –can we no longer tolerate spirituality, transcendence, uplifting, because the only god we can understand is the god of the Old Testament, the vengeful god, the punitive god? Is that who we deserve?

    Or is the dismembered body at once a puzzle that can be completed, a construction that shows us its parts, a spectacle? And is it up to us, the audience, whether and how we shall assemble it?

    – Thanos Papakonstantinou

  • NATIONAL THEATRE OF GREECE

    Greece’s first state theatre company was the Royal Theatre, which was founded in 1901 and operated until 1908. It was re-established under the name “National Theatre” in 1930 and opened for the public in March 1932. The National Theatre of Greece (NTG), during its 90 years of existence, has succeeded in creating a powerful theatrical tradition. The NTG Drama School was founded in 1930 and has since operated in tandem with the NTG.

    The repertoire of the National Theatre aims at polyphony, promoting a dialogue between tradition, present and future. The revival of Ancient Greek Drama remains a key area of interest for the National Theatre in an effort to combine respect for tradition with new trends. In 1938 the National Theatre of Greece performed its first open-air production of ancient drama, Sophocles’ Electra; the first performance after centuries at the Ancient Theatre of Epidaurus. In 1955 the NTG established the Festival of Epidaurus.

    Today, there are six venues in the National Theatre in Ziller Building (2), in Rex Theatre (3) and the School of Athens – Irene Papas (open-air venue). The National Theatre is always open to collaborations with theatres and artists – tours, joint productions with major theatres abroad, participation in international festivals, educational programs, and invitations to important contemporary artists; these are all part of the effort to broaden an already established network. The NTG was a member of the European Theatre’s Union (2009-2020). Since 2022, the NTG is a member of the European Theatre Convention.

    The Artistic Director of the National Theatre of Greece is the director Yannis Moschos.

    nt.gr

Continue reading

ORESTEIA by Aeschylus

ORESTEIA by Aeschylus

NATIONAL THEATRE OF GREECE

  • Friday, August 2

    Curium Ancient Theatre

  • Saturday, August 3

    Curium Ancient Theatre

Performances start at

Please arrive at the theatre before 20:00

21:00

BOOK YOUR TICKETS

The internationally acclaimed Greek director and teacher, Theodoros Terzopoulos, collaborates for the first time with the National Theatre of Greece and directs Aeschylus’ Oresteia, the only surviving trilogy of ancient drama and also the last surviving work of the tragic poet, in a single performance and with an excellent cast of 32 actors on stage.

Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides).

After ten years of war, the Palace of Mycenae is preparing to welcome its king, Agamemnon, the triumphant general of the Greeks. But his return from Troy also means his death by the hand of his wife, Clytemnestra, with the support of Aegisthus. In Choephori (The Libation Bearers), Orestes’ return will bring the revenge longed for by Electra. The Chorus rejoices at the redemption of the royal house and Orestes prepares to flee as a supplicant to Delphi to seek Apollo’s protection, pursued by the Furies. The Eumenides is based on the creative telling of Attic cult myths about Orestes’ flight to Athens and his trial by the gods of Olympus. Aeschylus’ plot is further enriched by the establishment of the Areios Pagos (Supreme Court) on Athena’s initiative and the court’s involvement in breaking the curse. Balance and reconciliation put an end to the cycle of blood and revenge.

Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”.

  • WITH ENGLISH AND GREEK SURTITLES
  • SUITABLE FOR AGES 12+
  • DURATION: 200 MINUTES
CREATIVE TEAM

Translation:
Helene Varopoulou
Adaptation / Director /
Set and Costume designer / Lighting designer:
Theodoros Terzopoulos
Associate Director:
Savvas Stroumpos
Original score:
Panayiotis Velianitis
Dramaturg:
Irini Moudraki
Dramaturgy advisor:
Maria Sikitano
Assistant to the director:
Theodora Patiti
Associate Set designer:
Sokratis Papadopoulos
Associate Costume designer:
Panagiota Kokkorou
Associate Lighting designer:
Konstantinos Bethanis
Artistic associate:
Maria Vogiatzi

CAST

(in alphabetical order)
Cassandra: Evelyn Assouad
Electra: Niovi Charalambous
Apollo: Nikos Dasis
Watchman/Athenian Citizen: Tasos Dimas
Clytemnestra/The Ghost of Clytemnestra: Sophia Hill
Nurse: Elli Ingliz
Orestes: Kostas Kontogeorgopoulos
Aegisthus: David Maltese
Prophetess: Anna Marka Bonisel
Herald: Dinos Papageorgiou
Athena: Aglaia Pappa
Agamemnon: Savvas Stroumpos
Servant: Alexandros Tountas
Pylades: Konstantinos Zografos

CHORUS

Babis Alefantis,
Aspasia Batatoli,
Nikos Dasis,
Katerina Dimati,
Natalia Georgosopoulou,
Katerina Hill,
Elli Ingliz,
Vasilina Katerini,
Thanos Maglaras,
Elpiniki Marapidi,
Anna Marka Bonisel,
Lygeri Mitropoulou,
Rosy Monaki,
Stavros Papadopoulos,
Vangelis Papagiannopoulos,
Michalis Psalidas,
Myrto Rozaki,
Yannis Sanidas,
Pyrros Theofanopoulos,
Alexandros Tountas,
Konstantinos Zografos


Photos by © Johanna Weber

  • ORESTEIA_Ethniko Theatro_2024 (9)

  • ORESTEIA_Ethniko Theatro_2024 (8)

  • ORESTEIA_Ethniko Theatro_2024 (7)

  • ORESTEIA_Ethniko Theatro_2024 (6)

  • ORESTEIA_Ethniko Theatro_2024 (5)

  • ORESTEIA_Ethniko Theatro_2024 (42)

  • ORESTEIA_Ethniko Theatro_2024 (41)

  • ORESTEIA_Ethniko Theatro_2024 (40)

  • ORESTEIA_Ethniko Theatro_2024 (4)

  • ORESTEIA_Ethniko Theatro_2024 (39)

  • ORESTEIA_Ethniko Theatro_2024 (38)

  • ORESTEIA_Ethniko Theatro_2024 (37)

  • ORESTEIA_Ethniko Theatro_2024 (36)

  • ORESTEIA_Ethniko Theatro_2024 (35)

  • ORESTEIA_Ethniko Theatro_2024 (34)

  • ORESTEIA_Ethniko Theatro_2024 (33)

  • ORESTEIA_Ethniko Theatro_2024 (32)

  • ORESTEIA_Ethniko Theatro_2024 (31)

  • ORESTEIA_Ethniko Theatro_2024 (30)

  • ORESTEIA_Ethniko Theatro_2024 (3)

  • ORESTEIA_Ethniko Theatro_2024 (29)

  • ORESTEIA_Ethniko Theatro_2024 (28)

  • ORESTEIA_Ethniko Theatro_2024 (27)

  • ORESTEIA_Ethniko Theatro_2024 (26)

  • ORESTEIA_Ethniko Theatro_2024 (25)

  • ORESTEIA_Ethniko Theatro_2024 (24)

  • ORESTEIA_Ethniko Theatro_2024 (23)

  • ORESTEIA_Ethniko Theatro_2024 (22)

  • ORESTEIA_Ethniko Theatro_2024 (21)

  • ORESTEIA_Ethniko Theatro_2024 (20)

  • ORESTEIA_Ethniko Theatro_2024 (2)

  • ORESTEIA_Ethniko Theatro_2024 (19)

  • ORESTEIA_Ethniko Theatro_2024 (18)

  • ORESTEIA_Ethniko Theatro_2024 (17)

  • ORESTEIA_Ethniko Theatro_2024 (16)

  • ORESTEIA_Ethniko Theatro_2024 (15)

  • ORESTEIA_Ethniko Theatro_2024 (14)

  • ORESTEIA_Ethniko Theatro_2024 (13)

  • ORESTEIA_Ethniko Theatro_2024 (12)

  • ORESTEIA_Ethniko Theatro_2024 (11)

  • ORESTEIA_Ethniko Theatro_2024 (10)

  • ORESTEIA_Ethniko Theatro_2024 (1)

  • DIRECTOR’S NOTE

    Why does Oresteia continue to hold such tremendous attraction? Perhaps this is because there seems to be an intrinsic need within the human being for a profound relationship with Myth.

    Oresteia’s myth is dangerous; it belongs to the world of the uncanny and the strange; it brings terror because it reveals the unbowed, violent, and the untamable deepest laws. Clytemnestra invites us to break the mirror together, so that from its fragments a new nightmarish image may be born, but one that nevertheless retains the dark roots of the myth.

    Our intention is to study the depth of the myth of Oresteia and to search for the unexpected, the unusual, the paradoxical. The characters offer their bodies on the altar of the unbecoming, posing relentless questions and dilemmas.

    The aesthetics of the performance derive from the dynamic relationship of the Body with Myth, Time, and Memory. We raise again the fundamental ontological question “what is it all about?”, a question that does not accept definitive answers, but constantly mobilises us towards an ever-deeper investigation of the root of sound, of the word, of the multiple aspects of the human enigma and the reconstruction of a new Myth.

    – Theodoros Terzopoulos

  • NATIONAL THEATRE OF GREECE

    Greece’s first state theatre company was the Royal Theatre, which was founded in 1901 and operated until 1908. It was re-established under the name “National Theatre” in 1930 and opened for the public in March 1932. The National Theatre of Greece (NTG), during its 90 years of existence, has succeeded in creating a powerful theatrical tradition. The NTG Drama School was founded in 1930 and has since operated in tandem with the NTG.

    The repertoire of the National Theatre aims at polyphony, promoting a dialogue between tradition, present and future. The revival of Ancient Greek Drama remains a key area of interest for the National Theatre in an effort to combine respect for tradition with new trends. In 1938 the National Theatre of Greece performed its first open-air production of ancient drama, Sophocles’ Electra; the first performance after centuries at the Ancient Theatre of Epidaurus. In 1955 the NTG established the Festival of Epidaurus.

    Today, there are six venues in the National Theatre in Ziller Building (2), in Rex Theatre (3) and the School of Athens – Irene Papas (open-air venue). The National Theatre is always open to collaborations with theatres and artists – tours, joint productions with major theatres abroad, participation in international festivals, educational programs, and invitations to important contemporary artists; these are all part of the effort to broaden an already established network. The NTG was a member of the European Theatre’s Union (2009-2020). Since 2022, the NTG is a member of the European Theatre Convention.

    The Artistic Director of the National Theatre of Greece is the director Yannis Moschos.

    nt.gr

Continue reading